现代生活
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项目名称 Project Name:现代⽣活 Modern Life

客户 Client:纽约时报New York Times、华盛顿邮报 The Washington Post、⼤⻄洋⽉刊The Atlantic

创作年份 Year:2019-2020

作品尺寸 Size:电⼦作品尺⼨不固定 Digital size may vary

艺术指导 Art Director:Jaspal Riyait 、 Arsh Raziuddin 、Audrey Valbuna 、Emma Murray

设计师 Designer:周⼦璇 Jo Zixuan Zhou

插图 Illustration:周⼦璇 Jo Zixuan Zhou

 

 

创作过程 & 结果呈现

Creation Process & Result

 

作品的创作过程从阅读⽂章的⼀刻开始,社论插画的功能就是对媒体提供的⽂章内容进⾏视觉的阐释。在像编辑提供了可能的⼏种草稿构图之后,我会和编辑⼀起选出合适的草稿,将它细化成为最后成果。在过程中我会根据编辑的反馈和供稿机构的要求对画⾯进⾏不同程度的修改。

 

The creation of the illustration started from the moment when I read the editorial script. The function of the editorial illustration is to visually interpret the contents of articles provided by the media. After providing several draft compositions, I worked with the editor to select a suitable draft and refine it into the final version. I modified the work based on the editor's feedback and the requirements of the contributor through the process. 

 

 

如何理解项目与“人文湾区 ∙ 温暖的设计”这一主题的关联性? 

How does the project reflect the exhibition theme "Cultural Bay Area • Humanistic Design"?

 

在疫情期间,全世界每个⼈的⽣活都或多或少的受到了影响,⼤家共通的体验和共情能⼒让这组社论插画的影响⼒变的更普遍,⽽不会仅限于某处的观众。设计的⼒量让观众体会到⼤家都共同在⾛过这⼀特殊的时期,⼀起克服这各种各样的不便,为了更好的迎接⼀个更好的未来。

 

During the pandemic, the lives of everyone in the world were more or less affected. Given the experience and empathy are shared worldwide, the influence of this set of editorial illustrations is not limited to readers in a specific country. The power of the design let readers to realize that everyone has been together in this special period to overcome these various difficulties and inconveniences in order to have a better future.