项目名称 Project Name: 广州蒙圣住宅改造 / The Renovation of Guangzhou Mengsheng House
参展机构 Company : 孟岩，都市实践 / MENG Yan, URBANUS
客户 Client ： 上海东方卫视 “梦想改造家”栏目 / DRAGON TV “Dream Home”TV Show
创作年份 Year ： 2018
主持建筑师 Principal Architect：孟岩 / Meng Yan
项目建筑师 Project Architect: ：姜轻舟 / Jiang Qingzhou
项目组 Team：张超贤 / Zhang Chaoxian
摄影 Photographer ： 张超、孟岩、姜轻舟、张超贤 / Zhang Chao、Meng Yan、Jiang Qingzhou、Zhang Chaoxian
The Mengsheng Community in the Haizhu District of Guangzhou got its name out of the saying that the descendants of Mengtian, a legendary general of Qin Dynasty (221B.C-207B.C), resided here. The project is located on Upper-Mengsheng Street, a long and winding alleyway. The original house was a three-story brick and concrete structure that the owner built in 1985 with merely 22 square meters floor area on single story. It is closely surrounded by its neighboring buildings.
The east side of the house brushes against the exterior wall of the adjacent house, while the north and west sides have a spacing of 90 and 30 centimeters with neighboring houses. The 80 -centimeter-wide alley in the south, which barely allows two people to walk pass each other, is the only passage that leads to the entrance. In addition to being small, compressed, dark, and inconveniently close to the neighboring houses, the building also has poor thermal performance with underlying structural dangers. These issues are always typical in the process of regeneration in old city quarters.
Problem Statement and Project Solution
The renovation plan started from the interior, aiming to reorganize the vital functions of daily life within the limited space. The operation of carving through the floor plates enables the integration of the whole building and creates interlocking living spaces. Skylights are introduced on the top floor to allow light in the building. Thus the dark and light spaces, openings and enclosures, are manipulated to make the tiny interior feel much more spacious. The construction started with the reinforcement of the overall structure. The original steep, single-run stair was replaced by a comfortable double-flight one as a device to rearrange vertical circulation. There is individual bathroom on each floor. The customized light scoops on the north and south walls bring additional skylight to the dark ground floor. Carefully designed viewing windows at various positions on the walls not only usher in natural light to each floor, but also bring outside views inside. On the top fourth floor, there is a transparent small room and a terrace that overlooks the surrounding city. It is intended to be an open space flexible for various activities as admiring the moon, having tea or contemplating.
Creation Process & Result
A house should not only accommodate people, but also their spirit and dreams. Though this house is tiny, it provides a unique feeling of serenity over the hustle and bustle of the metropolis. The stroll through the dark and narrow alley into the building can be a reminder of an excerpt from the Chinese literary classic, The Peach Colony, that tells a story of a fisherman’s discovery of an “Arcadia” at the end of a grove of peach trees: “At first the opening was very narrow, barely wide enough for one person to go in ”. After walking through the alley that is illuminated by only a beam of narrowly constrained skylight, eventually “it opened into a flood of light ”. Here, while one ascends from the ground floor of the building to the top, he gradually emerges from darkness into brightness and his feelings would rise from repression to a sense of release. This experience is akin to that of the fisherman, thus the building can be seen as the reconstruction of a “vertical Peach Colony”.
Small pieces of maroon stone with natural grains are chosen for the exterior wall of the house, since their color matches with the surrounding old buildings. As time passes, the overall texture of the wall will enable the house to be further integrated into the surrounding environment. After renovation, the building still takes on a low-key stance in the neighborhood, while provides a welcoming respite for its owners in the bustling city.
How does the project reflect the exhibition theme "Cultural Bay Area • Humanistic Design"?
The Mengsheng House fits a common housing type, featuring all the characteristics of private residences in the urban villages of southern Guangzhou. It occupies the maximum amount of land within its site and its aspect ratio almost reaches the structural limit, while at the same time it is totally lacking in street frontage. The architect believes that if the dignified life of a small family can be improved to the utmost extent within this situation without relying on developers, then this ultra-high-density, mixed-class residential pattern may still be effective under the complex circumstances of today’s society, economy, and psychology. Morever, it can also fight homogenized planning and urbanization through independent renewal methods, while still preserving the urban texture. This small, single-family house of merely 80 square meters is a tiny cell that composes the old city fabric of Guangzhou. As an example of the city's micro-regeneration process, this project has a unique cultural ambition for the revival of the historical clusters within the city. It undertakes resistance and provides an alternative option that opposes the prevailing tabula rasa model of urban renewal.