敦煌天书系列
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项目名称 Project Name:敦煌天书系列 Dunhuang Collection

客户 Client:HK Loupe&K11

创作年份 Year:2020

作品尺寸 Size:1800mm×900mm

设计总监 Design Director:孙倩 SUN CHIN

外观设计 Appearance Designer:孙倩 SUN CHIN

结构设计 Mechanical Designer:孙倩 SUN CHIN

 

 

项目创作背景

Project Background

 

“天书”的创作背景来自敦煌莫高窟。敦煌是丝绸之路的起点,是几千年东西方文明交汇的秘境。在敦煌第十七窟藏经洞里,曾发现各种文字,地域,信仰,装裱。各个朝代的经文、写卷、遗书、佚书、写经、佛画、法器、刺绣、文书、文献无数。书写着汉字、古藏文、梵文、齐卢文、栗特文、和阗文、回鹘文、龟兹文、希伯来文等各种文字。敦煌是东西方文明的深度交汇,也是信仰的相互认同与影响,再现了盛世繁华对信仰的至高礼拜。2019年—2020年创作的“天书”黄金系列是我们对敦煌源远流长文化的深度理解及礼赞!整套设计运用犹如飞天般简约写意的书写,尝试当代的视觉语言和珠宝表现相结合,运用黄金演绎在画布上让架上。整套设计旨在创造架上艺术和佩戴艺术与实用珠宝结合的大写意。

 

The writing background of " Dunhuang collection" comes from the Mogao Caves. Dunhuang is the starting point of the Silk Road, is thousands of years of eastern and Western civilization. In the grotto of the 17th Dunhuang Grottoes containing sutras, various scripts, regions, beliefs and mounting have been found. The sutras, manuscripts, posthumous writings, lost books, sutras, Buddhist paintings, Dharma implements, embroidery, documents and documents of various dynasties are innumerable. It is written in Chinese, ancient Tibetan, Sanskrit, Qilu, litan, Khotan, Uyghur Khaganate, Kucha and Hebrew. Dunhuang is the deep intersection of Eastern and Western civilizations, as well as the mutual recognition and influence of belief, and represents the supreme worship of belief in prosperous times. The Golden Series of " Dunhuang collection" created in 2019 and 2020 is our deep understanding and praise to the long-standing culture of Dunhuang! The whole design uses simple freehand writing like flying, trying to combine contemporary visual language with jewelry performance, using gold deduction on the canvas to let the shelf. The whole set of design aims to create a combination of easel art and wearable art with practical jewelry.

 

 

项目问题与解决方式

Problem Statement and Project Solution

 

“敦煌·天书”系列是一次实验作品,第一次把黄金呈现在架上,用架上艺术的表现方法去展现。同时也是第一次把架上艺术与实用艺术相结合,这对于整套系列的设计来说,在工艺上的实现和视觉的表达都是一个非常大的挑战。所以在工艺上面,我们通过了独创的“ViMO塑真技术”来实现整套设计的落地。

 

“Dunhuang collection” is an experimental work, the first time the gold on the shelf, with the performance of the art on the shelf to show. At the same time, it is the first time to combine the shelf art and practical art, which is a great challenge to the whole series design, both in the process of realization and visual expression. So in the process, we adopted the original "ViMO plastic technology" to achieve the whole set of design landing.

 

 

创作过程 & 结果呈现

Creation Process & Result

 

“敦煌·天书”系列运用ViMO技术实现360度立体呈现,在体现视觉张力的同时,合理减轻重量,增加佩戴舒适度,更能完美展现足金及k金的时尚感。“天书”每一件都可单独吊坠、胸针、耳环或者戒指。让佩戴者本身就是移动的画布,成为作品的一部分。

 

“Dunhuang collection”uses ViMO technology to realize 360-degree stereoscopic display, which not only reflects the visual tension, but also reduces the weight reasonably, increases the comfortable degree of wearing, and shows the fashion sense of full gold and karat gold perfectly. Each piece can be individually hung with a pendant, brooch, earring or ring. Let the wearer itself be a moving canvas, a part of the work.

 

 

如何理解项目与“人文湾区 ∙ 温暖的设计”这一主题的关联性?

How does the project reflect the exhibition theme "Cultural Bay Area • Humanistic Design"?

 

“敦煌·天书”系列体现了我们中国博大精深,源远流长的文化,我们把它和当代的生活方式与观念进行结合,进行了一个实验性的演绎。这也是我们深圳作为一个设计的中心城市,对古老文化的当代理解。天书系列也是当代的一种诠释,包括多种形式结合的呈现,是艺术与实用珠宝的一次跨界。

 

“Dunhuang collection” series reflects the profound and long-standing culture of our country, and we have combined it with the contemporary way of life and ideas, and carried out an experimental deduction. This is also our Shenzhen as a central city of design, the contemporary understanding of the ancient culture. Tianshu series is also a contemporary interpretation, including a combination of various forms of presentation, art and practical jewelry is a cross-border.